They walked far, to the southwest corner of the great Gardens, where, by the old round pond and the old red palace, when she had put out her hand to him in farewell, declaring that from the gate she must positively take a conveyance, it seemed suddenly to rise between them that this was a real separation. She was on his mother's side, she belonged to his mother's life, and his mother, in the future, would never come to Poynton. After what had passed she wouldn't even be at his wedding, and it was not possible now that Mrs. Gereth should mention that ceremony to the girl, much less express a wish that the girl should be present at it. Mona, from decorum and with reference less to the bridegroom than to the bridegroom's mother, would of course not invite any such girl as Fleda. Everything therefore was ended; they would go their different ways; this was the last time they would stand face to face. They looked at each other with the fuller sense of it and, on Owen's part, with an expression of dumb trouble, the intensification of his usual appeal to any interlocutor to add the right thing to what he said. To Fleda, at this moment, it appeared that the right thing might easily be the wrong. He only said, at any rate: "I want you to understand, you know—I want you to understand." Fleda considered a moment; she was full of the impression that, notwithstanding her scant help, he saw his way clearer than he had seen it at Ricks. He might mean many things; and what if the many should mean in their turn only one? "The difficulty is, you understand, that she doesn't really see into your situation." She hesitated. "She doesn't comprehend why your marriage hasn't yet taken place."!

"Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days. "She's not, she's not: there's nothing in it! Doesn't a fellow know?—except with you!" Owen ruefully added. With this he came out of the room, lowering his voice to secret supplication, pleading with her really to meet him on the ground of the negation of Mona. It was this betrayal of his need of support and sanction that made her retreat—harden herself in the effort to save what might remain of all she had given, given probably for nothing. The very vision of him as he thus morally clung to her was the vision of a weakness somewhere in the core of his bloom, a blessed manly weakness of which, if she had only the valid right, it would be all a sweetness to take care. She faintly sickened, however, with the sense that there was as yet no valid right poor Owen could give. "You can take it from my honor, you know," he whispered, "that she loathes me."

"Why, letting me tell her a dozen things she can have." "Fearfully?" broke from the girl. Somehow, at the word, she was startled. "He asked for Miss Vetch, mum," the girl replied, with a face that brought startlingly to Fleda's ear the muffled chorus of the kitchen.